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England was slow to develop an independent watchmaking school, and few examples by home-born
makers can be traced before 1600; Bartholomew Newsam, employed by Queen Elizabeth I, was among the
earliest. A Worshipful Company of Clockmakers was incorporated in 1631; its founder-members included
Edward East, who was among the first English makers to show an independent style, breaking away from
the extravagant ornamentation that had characterised watch-cases until the 1650s. The development
of the balance-spring by Hooke and the discovery of the technique of jewelling in 1704, coupled
with the rise of distinguished craftsmen such as Tompion and later Graham and Mudge, gave
England the leadership in the eighteenth century. By 1800, however, English domestic watch design was
beginning to stagnate; the standard of craftsmanship remained high (supported, before the 19th century
was half over, by a surprising degree of standardisation of parts), but makers remained wedded to
the fusee and to full-plate or three-quarter-plate calibres, while French, Swiss and later American
producers were moving towards slimmer layouts. Some innovation continued, of course, especially in
Liverpool where new escapements such as the rack-lever and the Massey group were widely
applied. The First World War finally put an end to the multitude of local makers who had been producing
(or rather assembling and finishing) large full-plate fusee levers virtually without change since the
1830s, although specialist items such as chronometers continued to be made to the highest standards
through the 20th century.
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