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The link between music and horology might well form the subject of an extended thesis. Hans Leo
Hassler or Hasler (1564-1612) of Nuremberg, allegedly the first maker of a chiming watch, was also
a distinguished composer who anticipated Schütz in introducing the Venetian choral style to Germany;
he made a number of musical automata. Christiaan Huygens was renowned as a lutenist. Davies
Mell (fl. 1655-75), clockmaker of London, was leader of King Charles II's violin band. Charles Clay
(d. 1740) made musical watches and clocks for which Handel wrote and arranged tunes. John Harrison
was an enthusiastic player on the bass viol and developed an idiosyncratic theory on the musical scales.
And, as a more remote point of contact, Pierre Auguste Caron (1732-1799), watchmaker and inventor
of a form of virgule escapement, is one and the same with Pierre de Beaumarchais, author of the plays
Le Barbier de Séville and Le Mariage de Figaro on which the Rossini and Mozart operas are based.
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